It’s no doubt a largely CG creation, but it looks tactile and fully embedded in the environment, making the ensuing action that much more believable. And beyond the design, the thing is executed incredibly well. The creature’s design, with the creepy one-eyed pilot detaching from and reattaching to different segments of the grotesque mechanical frame, is one of the most inventive in the series so far. Speaking of the crab-thing, it is yet again proof that the show’s artists and animators are some of the best in the industry. It’s always great to see old designs like R5 and the Naboo Starfighter folded into the show so seamlessly, and it’s even cooler to see new creatures, like the Alamites and the biomechanic crab that Bo-Katan slices up in style, stand up to the classic designs of franchise past. The one nice thing about the opening scene is that we get to hang out with R5-D4 for a while, which is always a nice way to tie the show back to the Original Trilogy. It’s a wonder why the show returns to Motto so often… But the material and their onscreen chemistry just ain’t it. It’s not the fault of Sedaris and Pascal as actors, of course-they’re both phenomenal. The two characters just don’t complement each other as well as they should. Amy Sedaris’ Peli Motto is one of the least compelling characters the show has introduced into the Star Wars universe, and while she provides some lighthearted humor to balance out Din’s stoicism, the shifty mechanic gimmick has run its course. Not bad.The setup for Din and Grogu’s trip to Mandalore is the weakest segment of the episode by far. In the space of a half-hour, R5-D4 has gone from being a minor factoid of old Star Wars trivia to a major character on a Star Wars TV show. He's actually useful multiple times this week, repeatedly proving himself to be an indispensable new member of Din's burgeoning little crew. In this episode of The Mandalorian, though, R5 isn't just another reference to past Star Wars things. But we can assume she didn't get him until after she restored that starfighter for Mando, else she would have tried to sell R5 then since the fighter has that slot for an astromech. How R5 ended up with Peli Motto isn't known, but considering his previous Mandalorion appearance was in the Mos Eisley cantina from A New Hope, it's likely he spent the intervening decade bouncing from owner to owner until he somehow landed in Motto's garage. So when Uncle Owen attempts to buy R5, his little "accident" is actually an intentional act of self-sabotage so that R2 can continue with his mission. In the story, R5 and R2 talk to each other when they're both being held in the belly of the Jawa's massive sandcrawler-R2 tells him of his mission from Princess Leia and the stakes involved for the galaxy. That story, The Red One by Rae Carson, retcons R5's story in A New Hope to make him a bit more heroic. In the current Star Wars canon, R5 has already gotten a little bit of love in the form of a previous (very brief) appearance on The Mandalorian and as the hero of a short story in the anthology collection From a Certain Point of View. But after Uncle Owen told the Jawas he wanted R5, R5 blew a gasket (or something) and Uncle Owen ended up with R2 instead-and the rest is history. No, this guy is a Star Wars OG who previously had only a single claim to fame: he was the droid that Uncle Owen initially tried to buy from the Jawas instead of R2-D2 at the beginning of A New Hope. While the quest to bring back IG-11 ended here, Motto sold Mando on a different droid she had lying around: an astromech unit named R5-D4 that would prove immediately useful in this episode-and who will very likely remain on the series as the astromech unit for Din Djarin's old Naboo starfighter.īut R5-D4 isn't just some anonymous droid we've never heard of before. This article contains very light spoilers for Season 3, Episode 2 of The Mandalorian, Chapter 18.īut it turned out that the writers and Powers That Be on The Mandalorian had another reason for bringing the titular Mando back to Tatooine for yet another quick, casual visit. You can't really swing by on the way to some other place, you know? So when our hero Din Djarin once again pops into Peli Motto's (Amy Sedaris) garage at the beginning of Chapter 18 of The Mandalorian, it initially felt like a bit of a stretch. Given that Tatooine is a remote backwater planet on the Outer Rim of the galaxy, it's not exactly a convenient place to visit.
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